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Mary, Mary, and More at Calvary

NEXT WEEK: Good Friday Stations of the Cross. Please register NOW to insure enough participants! 

Thank you for journeying along this way to Calvary. We will bring all of this to a climax Good Friday with the online version of the Stations, WITNESSES ON THE WAY. This a live, interactive event wherein we take on the character of different witnesses and create as we go. As a group process, we need a minimum of 24 participants for the process to work. With just over two weeks left, we'd appreciate your signing up now if at all possible. (If something later prevents your attending, you are free to bow out and will be reimbursed, minus the PayPal cost).

Friday, March 29th

1 pm - 4 pm Eastern Time
Noon - 3 pm Central Time
11 am - 2 pm Mountain Time
10 am - 1 pm Pacific Time

$15.00, $30, or $45.00 Pay-as-you-are-able

DEADLINE: Sunday, March 24, 2024

MARY, MARY, AND MORE AT CALVARY

Scripture...

Matthew 27:55-56

Many women were there looking on from a distance, who had followed Jesus from Galilee while ministering to Him. Among them was Mary Magdalene, and Mary the mother of James and Joseph, and the mother of the sons of Zebedee.

Matthew 15:40-41

There were also some women looking on from a distance, among whom were Mary Magdalene, and Mary the mother of James the Less and Joses, and Salome. When He was in Galilee, they used to follow Him and minister to Him; and there were many other women who came up with Him to Jerusalem.

Luke 23:49

And all His acquaintances and the women who accompanied Him from Galilee* were standing at a distance, seeing these things. (earlier in 8:1-3, Luke uses the same phrase and provides these names: Mary Magdalene, Joanne, wife of Chuza, Herod's steward, Susanna, and many others.")

John 19:25

Meanwhile, standing near the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. 

Background...

So, who were the women present at the crucifixion? If we gather the names of all the women listed in the Gospels, we have:

Mary Magdalene

Mary, the mother of Jesus

Mary, the mother of James and Joses (Joseph)

Mary, the wife of Clopas

Salome, the mother of James and John, aka, the sons of Zebedee

Mary's sister

The collective use of "some," "many," and "the" women, could reasonable include others such as

Joanna, wife of Chuza

Susanna,

others unnamed

When we look at the way artists have portrayed this scene, we will see that the "others" can be many.

Two of these women are mothers to followers of Jesus by the name of James. It might help sort out who's who if we start with differentiating the two James. The James who is Salome's son and brother to John is sometimes referred to as "James the Great." He was one of the first called by Jesus along with his brother, John, as the two of them fished alongside their father, Zebedee (Mt 4:21-22, Mk 1:19-20). These two brothers, along with Peter, are the triumvirate, the only ones present at the Transfiguration ((Mt 17:1), the Healing of Jairus' Daughter (Mk 5:37), and in the Garden of Gethsemane (Mat 26:37).

The other James, sometimes designated as "James the Less," or "James the Just," to make the distinction, is brother to Joses (aka Joseph), not one of the twelve apostles, but presumably someone known to the early Christians to have been mentioned. This James is the one who later, with Peter, was the head of the early Christian community in Jerusalem. When Paul and Barnabas traveled to Jerusalem with questions about Gentile converts, it was James who stood up and settled the dispute (Acts 15:13-21). He is referred to as the "brother of the Lord," (1 Gal: 18-19), which implies some kind of kinship with Jesus and may have contributed to his leadership role. Just what the term, brother, means is much debated. The Catholic and Orthodox churches have long held that James was kin in the sense of cousin, which is in keeping with the understanding of extended family prevalent in Judaism at that time.

A broad interpretation of "brother" as kin could also be applied to the term "sister" of Mary. In that case the woman alongside Mary might not be a sibling, but a relative. This raises the question if Mary, the mother of James who is "kin" to Jesus, could also be the one alongside Mary, referred to as "sister." Or, perhaps the "sister of Mary," is another woman entirely who is unnamed and not previously cited and, indeed, her sibling. There is no definitive way to know and, therefore, ours to ponder. (as below)

Art...

Boticelli's Lamentation, 1492

Botticelli has peopled the scene figuratively. The men, left to right, are identified as St. Jerome wearing hermit's garb, St. Paul with a sword, St. John into whose arms Mary, Jesus' mother, is swooning, and St. Peter. The woman behind Mary is identified as the "other Mary," and the two on the ground are Mary of Bethany to the left and Mary Magdalene to the right.

Botticelli paints this scene with passion. The whole painting by is highly emotional but this detail of Mary Magdalene and Jesus is particularly touching. Mary's embrace of Jesus' head and her tender kiss upon his cheek is unabashedly devotional and evocative. Her sadness is palpable, but her love even more so.

Though the scriptures do not place Mary of Bethany on the scene, Botticelli does. She may have been one of those "other women," but more likely her presence speaks of her importance in the thinking of the later church, much like the presence of Jerome, Peter or Paul. Here she fondly anoints Jesus' feet and dries them with her hair, a re-enactment of the profound gesture of love as she had done just days earlier in John 11:8.

While I am attracted to Botticelli's depictions of Mary Magdalene and Mary of Bethany, the swooning of Mary is one of my least favorite of portrayals, not at all what I imagine Mary did. Much more in keeping with my understanding of Mary is Michelangelo's Pieta. Here we see the dignity and strength of Mary, and of motherhood, as well as her sublime sorrow.

Michelangelo's Pieta, Vatican

The summer of 1964 was a hot one in New York City without the hint of a breeze, stifling in the way that only NYC can be. But it was the NY Worlds Fair and I was too young and excited to care about the heat. There are two things I recall: It was the first time I ever saw a frisbee (we bought two to take home) and I got to see Michelangelo's Pieta. Right in front of me, just feet away! A slow moving conveyer glided us by close enough to see the sharp edge of every draped fabric, close enough to see the white marble sheen of Jesus' lifeless skin, close enough to see Mary's face, the infinite tenderness and sadness, an expression unfathomable to my young self, but so compelling that it caused me to run to the end of that long, snaking line so that I could go by and look a second time.

If you are interested in learning more about the Pieta, Italian for "pity," you might enjoy this video clip from Khan Academy: PIETA

To Ponder...

Both Mary and Salome followed Jesus in the company of their adult sons. What might that have been like? (see Mt 20:21)

Imagine a background for Mary and James. Did they live in Nazareth? How and when did they come to follow Jesus?

Both Mary and Salome were at the cross and both went to the tomb and were among the first witnesses to the Resurrection. Mark's Gospel says only of the disciples, "they all left him and fled." (Mk 14:50) When the women proclaimed, "He is risen!" Scripture indicates that their sons did not at first believe them. (Mt 24:11). How might all these tensions of belief and disbelief work out within family relationships?

There are also two women present who are identified by their being wives: Joanna, wife of Chuza, Herod's steward, and Mary, wife of Clopas. Chuza may have been named because of his being in a prominent position. Chuza, Herod's Steward and Mary, follower of Jesus. They lived in two different worlds. Was theirs a house divided or did Chuza support Mary's decision? How might they have lived out the differences in their lifestyle?

Little is known of the identity of this other Mary. She is likely the one who sat with Mary Magdalene alongside the tomb. Why is she identified by her marriage to Clopas? Scholars speculate that Clopas may be also be the Cleopas on the road to Emmaus. If so, the unnamed companion of Cleopas may well have been his wife, Mary. How do all these possibilities intrigue you?

What other questions are yours after viewing the artwork and exploring the relationships?

The Midrash below is written in the words of Mary's sister:

Midrash...

She is my sister. How could I not be with her as she watches her own son suffer this fate? She’s been there for him throughout it all—but this…how could it have come to this?

I wrap my arms around her. At the sound of each cruel blow, the ring of hammer upon nail, her body jerks in pain. She does not, will not, avert her eyes though I want to shield her from the sight. She watches as they stretch out his other arm and begin again. His arms are tight against the wood--the arms that once held her in his embrace, arms that once reached out to her to catch his toddler fall. Nazareth so long ago. Dusty streets that were our home. He was hers then, hers alone--with Joseph and those of us who were family and friends. All that changed. Somehow he knew he must do his Father’s will. He became no longer ours. He belongs now to the world. But this is how the world repays him!

His feet. They grab his feet now and pin them to the wood, hammer raised high. How many times did Joseph teach Jesus how to hold a hammer just so? Drive a nail straight and true with just one blow. Oh! The ring of metal, the thud of flesh. Will ever my sister forget the sound?

Movement...

Performed by Martha Graham and captured on film in 1930, "Lamentation," allows us another modality for entering into the grief of Mary. Lamentation is the character of the dance itself but it captures the visceral suffering of Mary and the others on Good Frida. This vintage film begins with a brief outdoor clip of Martha Graham out-of-doors reading through the music and then envisioning the dance. The dance itself is performed mostly seated, with Martha encased in a jersey sheath, allowing her body, movement, gesture, and face to express the torment that Mary feels. At eight minutes, it may be overlong for some, and the quality is dated. But others of you, particularly after experiencing Betsey Beckman's artistry, may appreciate its power to move you. The dance is still being performed but I was captivated by the original, perhaps influenced by that one summer I got to attend a Martha Graham workshop as a teen.


HOLY WEEK REMINDER

HOLY WEEK REMINDER, especially for those of you involved in catechesis or liturgical ministry: My friend and fellow minister, Teresa Pirola from Light of Torah, sends us this timely reminder about Holy Week and anti-Semitism. Ten Ways to Avoid Anti-Judaism in Holy Week

 "Synagoga and Ecclesia in Our Own Time," Joshua Koffman, St. Joseph's University, Philadelphia, Pennsylvania

Responses from Readers...

Good Friday has always been special to me. I loved the cross. When I was young, I did not understand why everyone called it "Good" with its somber music and sadness. As an adult, I am drawn to Taizé prayer. Good Friday has opened up an Easter beyond chocolate bunnies and colored eggs. Thank you for your music selection this week. - Cari

Michelangelo's Creation of Adam...I never saw the flaccid hand of Adam before viewing today. The questions for reflection were definitely pondering... The first Taize experience for me was in Seattle with my daughter at an Episcopal church downtown. At our Carmel Monastery in Reno we will have Taize during Holy week. I cried listening to the rendition you sent ..Jesus, remember me... Grateful for the gifts you share. - Katie

One of your questions was if anyone knew of “Death Bed Conversions”. One of my neighbors was baptized just prior to his death in his later years. His wife and two sons were Catholic and I remember one of the sons saying “that is not fair, every Sunday we had to go to Mass while my father went golfing and now he gets to go to heaven.” We all laughed but did wonder how that worked. My late husband also was baptized in the hospital by the Monsignor of our parish just prior to his death. After his baptism he asked me to pray with him. I had no idea what prayers he was going to say and was comforted by his words (not memorized prayers) that he spoke from his heart regarding the Lord. Also, the music “Jesus remember me” brought back memories of going to the stations of the cross with my parents every Friday nights as I was growing up and listening to “Jesus remember me” being sung.- Kathleen

Dismas, the Good Thief
Biblical Sisters - Women of the Bible

I have particularly enjoyed spending a little time with some of these women whose stories are at the heart of my ministry. I would love to hear what you gained from this time as well. How imaginative did you become considering the many Ponderings this time? How did the art or dance speak to you. Please send me your thoughts at Kathleen.

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NEXT WEEK - JOSEPH OF ARIMETHEA