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An Advent Gift Week Two

Scribbles from...

"For, the purpose of Advent is not that we await the coming of Christ; it is that Christ waits upon our awaiting. On some level, Christ does not, cannot come without the beckoning of our need and deep desire. Lest our hearts become the manger, where shall He be received?" (WTW, p. 10).

That our hearts may become the manger, I offer a sampling of Advent materials from many years of leading Advent retreats. Open your senses and your heart to ponder the promise of Christ's coming through Scripture, Art, Poetry, Music and Reflection...

MARY AND THE WOMEN OF MATTHEW ONE

Scripture

MARY AND 
THE WOMEN OF MATTHEW ONE

Last Advent, my book was launched, WHY THESE WOMEN: Four Stories You Need to Read Before You Read the Story of Jesus. There are four women mentioned in Matthew's genealogy of Jesus' birth: Tamar, Rahab, Ruth, and Bathsheba. Turns out there are numerous connections between their stories and the Jesus story that follows. So, each week I offer an excerpt that links one of these women to Mary, the mother of Jesus. They seem at first, odd company for her to keep.  Yet, she belongs with them; each of their lives, in some way, points to hers. As a Jew, Mary would have learned these stories, studied them, heard them read and discussed at synagogue. How did the stories of these women speak to her? What did she notice as she pondered their lives? Perhaps, she saw the connection in their stories and hers long before any of us did.

ADVENT WEEK Two - RAHAB

According to your words, so be it”(Josh. 2:21). So spoke Rahab to the departing spies as they agreed to spare her. “Let it be with me according to your word” (Lk. 1:38). So spoke Mary to the departing angel as she agreed to the proposal of God.

Rahab the broad and Mary the virgin assent in remarkably similar words to sudden, divine intervention in their lives. Rahab, the Canaanite living within the walls of Jericho, had only “heard of” (Josh. 2:10) the might of the God of Israel. Mary, the Jew living in the village of Nazareth, has heard of “the Mighty One” all her young life. The proposal before each of them was, in either case, beyond their expectations; nothing could have prepared them for the decision they faced. Both respond with extraordinary grace and remarkable conviction. Both knew there was no turning back. They were “all in” and their choice affected others besides themselves. Whether the God of Israel was a whispered rumor from the brothel or truly the God of Father Abraham, each woman had to decide in the moment to embrace this God as her own, along with all the risk and hope that this entailed. Despite dangerous consequences, when confronted with the most pivotal decision of their lives, both the jaded prostitute and the innocent adolescent are convinced that the word of God is reliable and upon that they can stake their lives and their future.

In doing so, each brings about God’s design for themselves and for others. For that, they are celebrated for generations to come. Rahab the prostitute, with her family and all who belonged to her (Josh. 6:25) go on to be embraced by the Israelite community, living among them, and contributing to the genetic lineage. Mary acknowledges in her own words, “from now on all generations will call me blessed; for the Mighty One has done great things for me, and holy is his name”(Lk. 1:48-48).

Art

Giovanni da Fiesole, aka Fra Angelico, painted three altarpieces depicting the Annunciation with this one, currently at the Prado Museum in Madrid, considered one of his best known works. The background is replete with details with scriptural reference: the garden of Eden with Adam and Eve being driven away by an angel, the forbidden fruit upon the ground. A shaft of light on which the Holy Spirit descends draws attention to the momentous encounter at the vortex of the scene.

For most people, this is the image of Annunciation that first comes to mind. This intentional gazing, calling to mind, can move the viewer deeply. It may move us to prayer, powerful insight, profound questions. It can also call forth a creative, artful response.

Ekphrasis is a devise wherein one form of art remarks, builds upon, or has a conversation with another form of art. Below, I offer two such pieces of poetry, both inspired by considering Fra Angelico's Annunciation. Notice how each elicits further questions for us the viewers, readers, and fellow ponderers.

Art

The Annunciation
Fra Angelico, 1420

Poetry

The Annunciatory Angel (excerpt)
(detail of Fra Angelico's The Annunciation)
by Luci Shaw

Wind is part of the picture, gusts
whipping the robes and body along a stretch
of baroque carpet. Gabriel seems to be
advancing up an incline, laboring with
the imperative of message, hair flattened against scalp,
features tense, hands folded tight to the chest,
agitation or awe--it is hard to tell. We can't see
the heart hammering in the unearthly body,
but the announcement, the cracking open of a space
that encircles earth and heaven, must weigh
like a gold boulder in the belly.

How might it feel (if an archangel has feelings) to bear
this news? Perhaps as confounded as the girl, there
in the corner? We worry that she might faint.
Weep. Turn away, perplexed and fearful
about opening herself. Refuse to let the wind
fill her, to buffet its nine-month seed into her earth.
She is so small and intact. Turmoil will wrench her.

She might say no.

"She might say no." No heresy here. Without the possibility of "no," a true yes cannot exist. And God, true respecter of humanity's free will, chooses to wait upon the assent of a young girl. The Creator's great plan for redemption, God's hope from in-the-beginning hinges upon what happens next, on what the girl will say.(Kathleen)

Reflection on Fra Angelico's Annunciation
by Rev. Suzanne Guthrie

For many years I watched detached, an outsider to this scene...

Suddenly though, one day, in the long series of days I stood near the porch..., I remember the point of the Angelus. We are in the place of Mary. The prayer is a reminder of Eternity breaking through at every moment, asking us, Will you? Will you wake up? Will you bear the Christ in your own soul? Will you bear compassion for the world? Will you embrace the self-sacrifice and suffering necessary to bring love into loveless places? Will you say yes to this moment and the moments ahead of you, when you leave chapel and go about your work?

The Angel Gabriel looks directly at me. 

He hovers, larger than life, not in the painting, not in the chapel, but in my workroom. Heedless of the dimensions of my study, his huge Quatrocento Florentine wings expand and contract without rustle or disturbance right through the walls, my bookcase, books and papers, the couch, the lace curtains, the windows. Waiting my answer

Each day

  a Presence

  shimmering between spheres of

  sacred and mundane

       whispers

            “Ave.” 

And,

“You, you, you! Are blessed.”

Each day

    the angels stop breathing,

    leaning in closely, waiting to hear you answer,

“Let it be done to me according to your Word.”

Suzanne Guthrie is an Episcopal priest who offers a rich weekly resource on the Sunday readings, among other things. Her website is:Edge of Enclosure

Music

By now we are all well into our Advent routine of lighting the wreath with prayer. Is there any Advent song more evocative than "O Come, O Come EmmanueI"? I offer you this instrumental version for the sheer beauty as well as its power to move us to prayer. Enjoy!

To ponder...


In the parking lot of the nearby Catholic Church is this statue which so perfectly captures that moment of invitation and choice, the moment that is at the heart of our Advent reflection. Mary here is lost in thought and unaware of the angel hovering nearby (aren't we all?). Her face is peaceful, unperturbed, but seemingly, deep in thought.

To Ponder 1

Sometimes I go and just sit by this statue and think. I like to look closely at Gabriel's finger a half an inch from Mary's shoulder, 30 seconds before her awareness, the last few minutes B.C. Intriguing, is it not?

To Ponder 2
  • How has art stirred your soul? (the memory of stained glass windows or illustrated Bible from your childhood...a work of art you visited in a museum and stays with you still...a song whose lyrics and melody spoke to you in your need...a turn of phrase or verse of poetry that brought sudden clarity...nature's cathedral filling your senses,... unexpected beauty that shattered your darkness...)
  • What prepares us to recognize God's sudden invitation of grace? What example is ours in the "yes" of Rahab, the "yes" of Mary? How might we incorporate into our prayers, the words they share, "Let it be with me, according to your word"? Where does receptivity come in?
  • How is the freedom to say "no" essential to a true "yes"?
  • God so respects our free will. How does that challenge us to respect the free will of others? How is it God-like when we suffer because of the choices that loved ones make?
  • How might God still be awaitingmy yes?

Advent News

It was my great pleasure some months ago to be interviewed on my book, WHY THESE WOMEN for an Advent podcast to be aired this coming week. The interview can be heard Monday, December 18th on GOD HEARS HER: God hears you. God sees you. God loves you. hosted by Elisa Morgan and Eryn Adkins. Some years back, I was the prayer leader when Elisa spoke to an ecumenical gathering of women at Advent Lutheran in Mill Creek, WA. We connected then and have stayed connected ever since. And is it not true that God has a way of bringing things round? It was a joy to share my book with Elisa and Eryn and it is my further joy to share that conversation with you.(NOTE: This interview will not be "live" until Dec 18th. I will continue to provide the link in future Scribbles) CLICK BELOW:

Advent News

Comments from Readers on last week's Scribbles...

  • I love all the offerings, especially the art of the Annunciation. I've used it in some of my retreats--it's beyond amazing! (Alice N)
  • I first saw Tanner's Annunciation years ago at the Philadelphia Art Museum and was so taken with it, I bought a small print and have always thought of is as my favorite image of the Annunciation. (Libby G)
  • When I read the Bible every day, I lose interest if there are not women in the story So many wars, bloodshed...The women make the Bible come alive for me. Thank you for your work. (Elisabeth G)
  • Thank you, dear Kathleen, for much richness and variety. The Tanner painting is a change from the usual way that art has portrayed the event. I've chosen that same painting for the cover of my researched (but not yet finished) book on the Face of the Feminine Dimension). It's such an invitational image, one that, as you offered in the reflection, creates the possibility of God breaking through in any ordinary moment of any ordinary day. (Lucinda V)

It is joy for me to connect with you every Wednesday of Advent and hope these various offerings are a blessing. May they warm up and stretch our souls, pull us into Advent, and prepare our hearts to become the manger.

I would love to hear back from you, on your Advent thoughts and practices, on how any of these offerings inspire you, and particularly how this year Advent is different for you. Please drop me a line at Kathleen

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Kathleen